My understanding is the Mac (mini) Pro (black/cylinder) is built for 4K editing and viewing, even the 'low end' unit. That said, external arrays (HDD - for size) are the way to go when handling the massive files. This feels like half a review - or did I miss something - I see no indication any computer was actually tested on anything. This is Apple’s free video editing software, and it runs on both Mac OS and iOS platforms, so you can do you video editing just about wherever you go. For hobbyist and amateur filmmakers, Apple iMovie will have approachable tools to help you easily take your footage and edit a video with a clear flow.
Mac vs. PC. A debate that live on for years to come, but there is really only one that is best for photographers. Read on to find out which.
Oct 2015 Update: Be sure to check out the Windows Photo Editing SUPER Guide article for updated recommendations on the best low price options for PCs that will run Photoshop and Lightroom well – including what hardware is worth spending more money on and what is not!
Short Answer
It depends! I hate it when photographers do that to me. OK, so bottom line is that either can work fine, but you have to spend the money to get the hardware you need. Really this article is mostly for the PC user who are into photography. If you are a Mac user, I doubt you are tempted to switch to a PC because you are a photographer. In fact, you may be a Mac user because you are a photographer, and that is great. You Mac users may be interested in the end of the article where I provide recommendations on which hardware upgrades are actually worth the money to make sure it can do a good job editing photos.
Now for you PC users. You are probably hearing constantly about doing photo editing on Mac. You may be seriously tempted to get a Mac just because you hear so much about it from the photography community. Maybe you are curious about if it really is better than the PC. You may want to give it a try and determine for yourself, especially if it is time to invest in a new computer, but if things are going fine for you with editing your photos on a PC then my recommendation is to stick with what you know. Why put a kink in your workflow and go away from what you know?
There, a photographer just gave you permission to use a PC for editing photos.
Instead of switching platforms from PC to Mac, your photography will improve much more by investing in lenses (check out my article recommending a “nifty fifty” lens as the second thing a beginner should buy), other equipment, and training (check out Jim and Darin’s awesome training courses at photoclasses.com).
Whether Mac or PC, I know how seriously frustrating it is to try and edit photos on a computer that doesn’t have enough power. Maybe you are still using the computer you had before you started into photography, and it isn't up to the challenge. If that's you, it is time to invest in a newer computer. Read the long answer to go through reasons to pick one over the other, but really neither has a huge advantage and I think it makes the most sense to stick with what you know.
Check out the last two sections of this article for help in the specifications of what you need in a computer (PC or Mac) for a good photo editing experience.
Long Answer
I think it would be easier to discuss religion or politics than to take a side on the Mac vs. PC debate. It is a debate that seems among photographers to be second only to the Canon vs. Nikon (or Sony, or Panasonic, or any of the other manufacturers). The discussion is a little easier when you put a photography related slant on it, but it can still be fairly heated.
Still, as the hobbyist editor here at improvephotography.com my job is to take a view on these kinds of things and recommend something based on my own experience as well as what I have learned from other great photographers. Remember this when you comment on the post, but please do comment.
At some point it is likely to become necessary to get a better computer than what you had when you started into photography. Photoshop, Lightroom, and many other photo processing tools run much better when you have a good computer. That machine you bought online for $200 last Christmas is simply not going to work well.
You can make due for some time, and you should for as long as you can. But when processing a shoot takes twice as long as it should because you are CONSTANTLY waiting for your computer, or the display connected to your computer is not good enough (1080p HD is NOT enough), you will want to do something about it.
Mac Mini Review For Video Editing
At the point when you have decided it is time and the next photography investment you are going to make is a new computer, think of it in the same you think about investing in a new lens and be prepared to spend as much in a lot of cases. Check out the last part of the article here on recommendations of what the minimum hardware should be in both Mac and PC computers to make editing photos go well.
Why Should You Listen To Me?
Like the other articles I have authored for this website, I am writing this shortly after having gone through exactly this dilemma. I realized very quickly that even a as a beginning photographer I needed to “post process” my photos on the computer (see my article here about why a beginner needs Adobe Lightroom) in order to make my shots look anything close to those I was seeing online.
Although I consider myself to be a fairly solid hobbyist photographer at this point, I am still relatively new to photography. However, as an IT professional who has worked on and with computers for more than 20 years, I know computer hardware and software pretty well. I have built computers, written software for computers, and as of writing this article my full time job is to architect solutions for very large computer systems for a large financial institution. It is a subject area I have more qualifications to speak to than any other photography subject.
All that said, as I was trying to learn about photography any way I could (podcasts, YouTube, books, etc.) it felt like I was constantly being told that I needed a Mac in order to have photo editing go well. It seemed like every YouTube video was done on a Mac, ever podcast was about how the new Mac was so awesome, and every photographer I talked to was using a Mac. It was a full on Mac attack, and I am a PC user. Vmware client for mac.
I was editing my photos in Lightroom and had become frustrated that the PC laptop I was running it so … s l o w l y. The laptop was dated and I knew that even if I wasn’t doing photo editing it was time to upgrade the hardware. Given all of the hype from the photography community about Mac, I was wondering if I should dump all of my limited hobbyist photography budget on a Mac, or save some $$$ and stick with PC?
Hopefully my story sounds familiar to some of you, especially the beginners out there who are just getting started into photography. If so, let me take you through a few questions you probably have.
Doesn’t Adobe Software Run Better on Mac?
Mac fanboys are probably going to disagree, but my experience has been that Adobe tools like Photoshop and Lightroom do not necessarily run better on a Mac vs. a PC. I believe they used to several years ago, although I don’t have personal experience with it from before 2011 to say for sure.
In fact, before Apple switched the architecture of the Mac from PowerPC to Intel in 2006, Adobe had to write their software products very differently for Mac than for PC due to the architecture differences. So I am pretty sure there really was something to this years ago, I just don’t think there is much to it today.
Like so many other things in life, you get what you pay for in a computer. There is a reason those cheap $200 PCs don’t really work that well for nearly anything. If a PC has equivalent hardware to a Mac, it will run Adobe software products just as well as a Mac. Really the biggest difference then is the cost (Mac is more expensive – initially) and personal preference of Windows vs. OSX – which can be extremely important.
If you are using a PC, I think you should stick with what you know best because I don’t think either has a big advantage over the other to run post processing software.
Don’t Macs Have Fewer Problems?
This is an area where I will give a very slight nod to the Mac, agreeing that in general they seem to have fewer issues than PCs. Again, you get what you pay for, and there is a reason a Mac has more of a “premium” initial price than a PC. Well, okay, it could be just because Apple can. No, Apple really does put a lot of work into making sure you have a good product in your hands when you fork over that much of your hard earned money. I am truly convinced this is a real difference between Mac and PC. Unfortunately, it seems Apple is also becoming a victim of their own success and the quality control has gone down as the demand has gone up.
I often hear the argument come up very quickly that PCs are virus magnets whereas Macs are impervious to malware problems. This is actually a topic very near and dear to my heart, but this isn’t an article on the topic of computer security, so let’s just say that there is more in it for the bad guys to write viruses for Windows. So yes, you are more likely to have a problem with malware on a PC than on a Mac.
Can a PC work without major problems? Can a PC be kept clean from viruses? Do Macs ever have problems? Yes, yes, and yes. Is this a reason to pick a Mac over a PC? Maybe. It may make sense if you are, or will be, doing photography professionally to save yourself from also having to be a PC technician by getting a Mac. Just remember that Macs are still computers, and all computers have technical problems (after all the hardware in the Mac is the same as in some good PCs).
If you aren’t used to a Mac, a PC will be just fine, so long as it isn’t a bargain basement model. I think it makes a lot of sense to stick with what you know.
Aren’t PCs MUCH Less Expensive?
As I have alluded to earlier in the article here, in general PCs are less expensive than Macs – at least initially. And that word “initially” is the key. The upfront cost of a PC that has almost exactly the same hardware can be as much as 50% less than a Mac. This is why many PC fanboys will often refer to the “Apple Tax” when you talk about Macs. But the truth is, unless you build a PC yourself, many of the PC models from the big box vendors like HP and Dell usually end up with some durability problems. They just don’t seem to last very long. Sigh.
The PC business is pretty much as cutthroat as it gets. The margins have gone down to the point that the manufacturers have to sell a ton of them to make any money. As they are building them they cut every corner they possibly can. It is worse for laptops than desktops. So you may be able to buy a PC for considerably less money than a Mac, but the Mac may last longer.
Will a Mac last long enough to make the higher initial cost worth it? Maybe. Depends a lot on your use. I think it is very similar to a car. The same car will last much longer for the old lady driving to church on Sundays vs. a teenager.
To me the costs of a computer, the full costs from beginning to end, depends on how much you know about PCs and computer hardware. Apple has chosen to make their computers much less upgradeable by anyone but them. There are some good reasons to do so, but you can’t replace almost anything yourself very easily on many of the most recent models. PCs on the other hand are much more open. Desktops a lot more so than laptops, but without too much trouble you can replace RAM, a hard drive, video card, and even a processor if you wanted to. This can help you increase the hardware in your computer a bit more slowly like I did, where I added almost one thing at a time. Takes some knowledge. Takes some time. But if budget is one of your key concerns you can minimize the up front investment.
If you are a beginner on a tight budget and are willing to be your own tech support then you can potentially save quite a bit of money on a PC and use the rest on photography gear! But be aware, even though the number may be smaller than the up front cost of a Mac, it still takes a good sized amount of money to build a PC good enough for editing photos. In the end I don't think the cost is all that different, at least not 50% less.
Desktop or Laptop?
Another trend I heard constantly from photographers was the use of laptops for photo editing. Maybe this has to do a lot with the Mac line of computers having a sweet spot with the laptop form factor with their MacBook models. Maybe there are just a lot more photographers who are constantly on the go and need a more mobile solution. Whatever the reason, I think this is one you really need to consider carefully.
Desktops are quite simply better for editing photos. Yes, that is a blanket across the board statement. Mac or PC, a desktop will run your editing software better than a laptop for less money. MacBooks are very capable of running editing software if you make sure they have some essential upgrades (see the Mac Recommendations section below). In fact, I think MacBooks are better suited than nearly anything from the PC world in the way of laptops. That is changing a bit, the “ultrabook” line of PC laptops are finally competing fairly well with MacBooks and some of the stuff shown by PC makers at CES 2015 looks really interesting. But going back to the cutthroat market of PCs I will bring up again how the vendors cut every corner they possibly can. I have owned numerous PC laptops over the years and haven't been truly happy with any of them – especially for photo editing.
As good as a MacBook can be, I still recommend a desktop. Laptop screens are mostly terrible. The MacBook retina screens are beautiful, but tiny. I have been shocked as I moved from a 24″ full HD (1920×1080) screen to a 30″ WQXGA (25650×1600) IPS screen at just how important this is for editing photos. There is a reason creative professionals are willing to spend $2,400 on a super high quality Eizo monitor (check out monoprice.com for great monitors for far less money), it really matters.
In general you can get more CPU, more RAM, and more disk with less money in a desktop than a laptop. Desktops also tend to last longer because heat is an enemy to computers and laptops are in such small packages their heat battle is going to be lost faster. Think through this one very carefully. If you REALLY need mobility then you have no choice and should use a laptop, but I suspect that for many who claim this to be a requirement their laptop actually rarely leaves their desk and they would have been better off with a desktop.
PC Recommendations (early 2015)
When I was faced this dilemma I knew both the Mac and the PC pretty well, so my own choice actually came down to cost. I knew how to build and maintain a PC very well, and could get a lot more hardware for the dollars by doing that. I decided that for me it was better to minimize my investment on computer hardware, end up with a PC better suited for photo editing, and save the rest of the budget for other photography gear.
Even though I had a lot of experience with computers, I didn’t have a lot of experience with photo editing software and understanding what hardware actually makes a difference. So I did quite a lot of research and was able to do some testing to see specifically what makes a difference.
Unfortunately there are too many PC manufacturers for me to recommend a specific model. I don't think in the PC world there is actually all that much difference between them. Some PC makers do better at customer support than others, although even that seems to change depending on who you ask. I will say that I doubt any of the PCs you find in a box at the store are going to meet your needs. Go online and customize your order based on the recommendations below.
Here is my advice on what things are worth “upgrading” in a PC to make sure it will run Photoshop and Lightroom well. Remember, this is very photography focused and is not a recommendation for a gaming or video editing PC (that would start off with maxing out the CPU and have some other differences). The recommendations are in order of priority to help you decide how to get it configured as you are ordering from a PC maker or if you are brave enough to try a custom build (Be sure to check out the Windows Photo Editing SUPER Guide article for updated recommendations):
32GB of RAM. These photo editing software programs are memory hogs. As a software developer I think Adobe and other software companies are being lazy with their development practices because so many computer systems have high quantities of RAM, but they need every bit you can give them. You can have things work pretty will with 16GB of RAM, and can get by with 8GB, but this is the first place I would max out a system configuration for a computer and get as much memory as possible.
SSD hard drive. Abbreviation for solid state drive, an SSD is a hard drive that uses flash memory technology, similar to the memory in your phone and the SD cards you put in your camera. They are quite a bit faster at reading and writing than the magnetic spinning hard drives, but they are also more expensive. Quite a bit more expensive. But boy does this make a difference for photo editing, I almost made it my first thing on the list. Get something 256GB or higher for the OS and programs, and to use as a “working” drive. Then have a 1-4TB magnetic hard drive used for your longer-term storage (internal or external).If SSD is too expensive, then at least making sure you have a magnetic drive that spins at 7200RPM (instead of the very common 5400RPM) will make a big difference.
Intel “Core i” processor. Kind of strange to think that the processor is so far down on a list of hardware specs, but in my opinion this is where it belongs for a decent photo editing machine. This doesn’t mean you can ignore the processor. Won’t do you any good to have loads of RAM and a SSD drive if you don’t have a decent CPU. Get the best one you can afford, but upgrade the other things listed previous to the CPU first.I have been an AMD processor fan for many years, just like I love to cheer on the underdog in sports. AMD has often had a better price to performance ratio over Intel, but when it comes to running photo editing software there is no question the software is heavily optimized for Intel processors. Photoshop and Lightroom will still run on AMD, you won’t have a problem launching the application, but I think it is worth the money to go with Intel.I also recommend at least a Core i3 processor. The software will run on a Pentium or Celeron process from Intel, but not nearly as well. The Core i5 is a pretty big step up from the i3, and the Core i7 won’t break a sweat on this kind of work.
Large, high resolution IPS monitor. This was the last piece of computer equipment I upgraded, didn’t want to spend the money on a monitor, but it has made a HUGE difference in my photo editing. I recommend a 27” or 30” monitor capable of 2560×1600 resolution (more than 2x more resolution than HD). That resolution is commonly called WQXGA. You will want to connect the PC to the monitor through DVI or DisplayPort, not through HDMI or VGA. If you missed it earlier in the article, check out the monitors over at monoprice.com for really good ones at very reasonable prices.
Nvidia graphics. This isn’t because AMD (used to be ATI) graphics are bad. It is because Adobe doesn’t support anything but Nvidia very well on a PC. It is improving, and I expect it to get much better in the coming years with the AMD graphics in the Mac Pro being supported so well, but for now you should avoid AMD video cards in your PC – whether laptop or desktop.The graphics chipset seems to be a much bigger deal in Adobe’s video editing programs than it is for Photoshop or Lightroom, but if possible you should get a computer with a discrete (meaning one that is not built into the motherboard often called “integrated”) Nvidia chipset graphics card with 1GB of RAM.
USB 3.0. Your Mac friends will scoff at USB speeds when they have Thunderbolt for external storage. There are a few PC motherboards with Thunderbolt built into them for PCs, but it has remained mostly a feature of Apple products and isn’t very well supported. Still, USB 3.0 is so much faster than USB 2.0 that it is good to make sure you have a few on your computer. Even with USB 3.0 I wouldn’t recommend editing your photos from an external drive, it just isn’t fast enough. But using a USB 3.0 compatible SD card reader when importing the photos will make a big difference, as well as backing up or having your long-term storage on a USB 3.0 compatible external drive.Note: At CES 2015 USB 3.1 and a new type of “C” connector was presented with speeds 2x faster than USB 3.0, theoretically equal to the speed of Thunderbolt. Although there is still an architectural advantage to Thunderbolt that will likely make it superior.
64 bit Windows 8.1 or 64 bit Windows 7 Professional. The latest and greatest OS from Redmond has taken a beating in the media. They changed things up a lot. Judging by the direction Microsoft is taken Windows 10 they know they went too far towards a tablet friendly UI that didn't go well with PC users. Still, once you get used to things a little it isn't a big deal. I have been running my photo editing on Windows 8.1 for quite a while now and have no complaints. Whether Windows 7 (recommend Professional in order to take full advantage of all the hardware) or Windows 8.1, you have to make sure you install the 64 bit version or you won't be able to use all the RAM you have in the computer. This shouldn't be too hard as everything within the last 2-3 years has come with a 64 bit version of Windows.
No Hackintosh. I hesitate to even raise the topic, but I am imagining the comments coming, so I thought I should. With Apple moving to the x86 hardware architecture, it is technically possible to run OSX on hardware not directly sold from Apple. You can get specific components of hardware and then use some hacks to get OSX loaded up and have it function fairly similarly to a Mac without paying for a Mac. It is true you can save some money here, but besides it being legally questionable (violates OSX terms of service and possibly the DMCA) it is difficult to maintain the hacks over time. As new OSX updates come out the hacks frequently stop working until those smart hackers out there figure out how to get around it. It simply isn’t worth the trouble. If you want a Mac, buy one.
If you are interested in building your own PC there are plenty of DIY build recommendations and instructions out there to make this very possible. It sounds really intimidating at first because hardware has such confusing names and not everything can fit together. But I can recommend Paul’s Hardware Channel and the PCDIY channel on YouTube along with the digital video editing DIY build recommendations from videoguys.com.
Mac Recommendations (early 2015)
You don’t have nearly as many different ways to configure a Mac as you do a PC, really just a few choices. I thought I would break out my recommendations for Mac differently that I did for PC based on the model choices from least expensive (not cheap) to outrageous
Mac mini
The Mac mini is the entry level machine from Apple really designed for people switching from a PC. It is a tiny little desktop computer that packs quite a lot of punch into a small space, and will run Photoshop and Lightroom very well. If after reading this article you think you might like trying a switch from a PC, this would be a really good way to try it out and see how you like the world of Mac. Here is how I would configure it minimally for photo editing (about $1,000):
2.6GHz dual-core Intel Core i5
16GB 1600MHz LPDDR3 SDRAM (max)
1TB fusion drive (will probably want a thunderbolt external drive)
Apple Magic Mouse
MacBook Air
The entry level laptop from Apple is very nice as far as a laptop goes. It gives you probably the ultimate in portability, but you will honestly get more power out of the Mac mini for less money. Here is how I would configure it minimally for photo editing (about $1,300):
11 inch model
4GHz Dual-Core Intel Core i5, Turbo Boost up to 2.7GHz
8GB 1600MHz LPDDR3 SDRAM (max, can’t get 16)
256GB PCIe-based Flash Storage (going to need a thunderbolt external drive)
Apple Magic Mouse
MacBook Pro
PC manufacturers are catching up (some of them shown at CES 2015 looked pretty nice) but the MacBook Pro is arguably the best laptop money can buy and is awesome for photo editing. The Mac mini offers roughly the same power here, with 4x more storage, for less money, but here is the minimal configuration I recommend (about $1,800):
13 inch model
6GHz Dual-core Intel Core i5, Turbo Boost up to 3.1GHz
16GB 1600MHz DDR3L SDRAM
256GB PCIe-based Flash Storage (max, going to need a thunderbolt external drive)
Apple Magic Mouse
You’ll notice that I recommend the Apple Magic Mouse with each one, that’s because the mouse is so good it is worth the money to get one. I would also recommend that with either of the MacBook models you should also get a monitor to use with them when you are in your office. Editing photos on those tiny screens, nice as they are (and they are incredible), is not great. The Apple Thunderbolt Display would be a really good choice, but at $1,000 that pretty much doubles your cost. Yikes.
iMac
Apple just revamped the iMac in late 2014, making it one of the most desirable desktop computers for photo editing due to the 5k display. As of the writing of this article there aren’t really 5k options available for the PC world, and I can confirm that even as a hobbyist a high resolution monitor is a VERY big deal.
Could you save some dollars and consider the previous model iMac? Absolutely. You will still get a very good display with it, just not 5k. And the iMac has been a good machine very capable of doing photo editing for quite some time. In fact, at this point I think it is a fair statement across all these Mac models to say that a previous generation model will work pretty well – just look for the RAM.
Here is my minimum recommendation for an iMac, which isn’t the 5k version (Jim reports that the difference seems TINY to him), but isn’t the smallest model either (about $2,200):
27 inch model (you could go down to 21 if it isn’t in the budget, but it really is worth it to go 27)
16GB 1600MHz DDR3 SDRAM – 2X8GB
1TB Fusion Drive (will probably want a thunderbolt external drive)
Apple Magic Mouse (already included with an iMac)
Mac Pro
Now we enter the world of insanity for many. The Mac Pro is an incredibly powerful machine, but I don’t recommend it for a beginning photographer. It is something more for a power video editor. Of course you could edit photos on it without the machine breaking a sweat, but it is overkill in my opinion and you are much better served to spend the cash on lenses.
I don’t need to provide a minimum configuration here because anything you order of a Mac Pro is going to rock Photoshop, Lightroom, and Premiere Pro. The most inexpensive Mac Pro starts at about $3,000, which may seem not too bad when you compare it with the iMac because that is only $800 more. Wait, did I just say ONLY $800? But there is no monitor that comes with that, so you have to add that on top ($1,000 thunderbolt display). So you could get an iMac and a MacBook Air for less than a Mac Pro and monitor, which would be better in my opinion.
Mac Mini For 4k Video Editing
Conclusion
A PC user doesn’t have to switch to a Mac in order to have a good experience editing photos. I think it makes a lot of sense for a photographer to stick with what they know. At some point it may make sense to go to Mac from PC, especially if you are a professional photographer, but it is really a matter of personal preference and neither has a big advantage over the other. Just make sure you have enough hardware for the job in whichever you choose.
OK, so now let me have it in the comments below ?
Work at a faster clip.
With its modern Metal engine, Final Cut Pro allows you to edit more complex projects and work with larger frame sizes, higher frame rates, and more effects — all at blazing speeds. And it’s built to harness the extreme power of the new Mac Pro for next-level performance.
Accelerated performance with Metal
Metal dramatically accelerates graphics tasks like rendering, real-time effects, and exporting. Video editors on 15-inch MacBook Pro will benefit from render performance that is up to 20% faster while editors using iMac Pro will see gains of up to 35%.1 And when you’re working on a system with an eGPU attached, you can select which GPU to use — internal or external — for peak performance.
Optimized for the all-new Mac Pro
For the ultimate editing experience, run Final Cut Pro on the world’s fastest Mac, the new Mac Pro. Final Cut Pro takes advantage of all the GPUs in Mac Pro and uses multithreading to spread tasks across up to 28 cores. And when equipped with the optional Afterburner card, Mac Pro delivers the fastest ProRes performance ever. So you can do things like edit video, create motion graphics, and color grade in groundbreaking 8K resolution. All at maximum velocity.
The tools you need. From start to finishing.
With innovative features and an intuitive design, Final Cut Pro accelerates post-production. So editors can create and deliver at the speed of thought.
The Magnetic Timeline allows you to easily experiment with story ideas by moving and trimming clips without collisions or sync problems. Use Compound Clips to bundle separate video and audio clips into a single movable package, create Auditions to try out multiple takes in the timeline, and use Synchronized Clips to align video with second-source audio automatically. Color coding makes it easy to identify different types of content, with the ability to customize the look of your timeline while you edit.
Final Cut Pro offers the most advanced organizing tools of any professional video editing application. Easily tag entire clips or clip ranges with metadata for searching, and create Smart Collections that automatically collect content according to a set of custom criteria. Skimming lets you efficiently browse hours of material in a more visual way, so you can identify what you want in seconds.
Create 2D and 3D titles right in Final Cut Pro, apply and modify filters, and use the built-in chroma key for high-quality green- and blue-screen effects. Expand on the built-in effects with thousands of third-party tools and templates. And for even more control, use Motion to create stunning titles, transitions, generators, and effects you can access from Final Cut Pro.
Mac Mini 2019 Video Editing
Final Cut Pro lets you edit multichannel audio using built-in tools for removing background noise and optimizing levels. Adjust multichannel audio files in the timeline or open the inspector for more information and options. Choose from dozens of bundled plug-ins for audio compression, EQ, and more — or send to a professional audio application like Logic Pro X for advanced audio mixing.
Quickly encode video using the power of multicore CPUs and high-performance GPUs. Take advantage of presets to deliver ultra-high-quality masters or files optimized for iPhone, iPad, Apple TV, and websites like YouTube and Vimeo. And batch exporting makes it fast to deliver multiple files or projects in multiple formats. You can also use Compressor to create custom export settings that appear right in Final Cut Pro.
Multicam
The industry’s most advanced multicam editing lets you automatically sync up to 64 angles of video with different formats, frame sizes, and frame rates. View up to 16 angles at once in the Angle Viewer. And open the Angle Editor timeline to move, sync, trim, add effects, or color grade individual clips.
Video noise reduction
Improve the look of archival and low-light images with powerful noise reduction tools that reduce or eliminate grain and video noise. Simple controls let you quickly adjust intensity, and it’s easy to change processing order by dragging the effect in the inspector.
Motion and Compressor
Create stunning effects and sweeping graphics with Motion, including studio-quality 2D and 3D titles you can open and adjust in Final Cut Pro. Use Compressor to create custom export settings and streamline delivery of your movie to the iTunes Store. And because Final Cut Pro, Motion, and Compressor all share the same Metal architecture, you’ll experience blazing performance and consistent rendering across applications.
Compressor
Advanced color grading. Every pixel closer to perfection.
Professional color grading tools are built into Final Cut Pro, including a dedicated color inspector with color wheels, color curves, hue/saturation curves, and keyframes to adjust corrections over time. You can work with High Dynamic Range footage on recent Mac systems that display an extended range of brightness. Or connect the all-new Pro Display XDR for the ultimate HDR experience.
Unique color wheels improve on traditional controls by combining hue, saturation, and brightness into a single, simple interface.
Color and luminance curves allow ultrafine level adjustments with multiple control points to target specific color and brightness ranges.
Sample a color with an eyedropper and change just the hue, saturation, or luminance of a specific color within the image.
Work closer to reality than ever before with HDR video. Import, edit, grade, and deliver incredibly lifelike images with Final Cut Pro. High-resolution scopes reflect HDR brightness levels as you edit, and tone mapping lets you easily convert HDR to Standard Dynamic Range output for broadcast. You can view beautiful HDR content on a wide range of Mac computers that use the reserve brightness of the display to show an extended range of light levels.
HDR on Pro Display XDR
View High Dynamic Range video the way it was meant to be seen. The gorgeous new Pro Display XDR delivers 6K resolution and 1000 nits of sustained brightness for HDR editing, grading, and delivery with Final Cut Pro. And setup couldn’t be simpler — just connect a single Thunderbolt cable from your Mac to Pro Display XDR to use it as an additional display or video monitor.
ProRes RAW. The flexibility of RAW with the performance of ProRes.
Import, edit, and grade pristine video with RAW data straight from your camera sensor. Work with ProRes RAW files and experience all the creative advantages of RAW with the seamless performance of ProRes. And with Mac Pro and the Afterburner card, you can edit in ProRes RAW faster than ever before.
ProRes performance
Remarkably smooth playback and real-time, multistream editing are part of the ProRes RAW package. The format is optimized for macOS and the latest Mac computers, allowing you to render and export faster than with other RAW formats. And if you’re working on Mac Pro, the optional Afterburner card accelerates ProRes RAW performance so you can edit at 8K resolution in real time. Since ProRes RAW files are smaller than standard formats, you can fit more footage on every card.
View the Apple ProRes RAW White Paper
RAW flexibility
Work with untouched image data directly from your camera sensor. RAW files provide maximum flexibility for adjusting the look of your video while extending brightness and shadows — an ideal combination for HDR workflows. And ProRes RAW preserves more of the original image data, making it a great format for archiving.
Workflow extensions. Extend the power of Final Cut Pro.
Work directly with powerful third-party applications — without leaving Final Cut Pro.
Use the Frame.io extension to simplify review and approval. Drag and drop clips and timelines, jump between markers, and review comments and annotations in real time from your Frame.io collaborators.
The Shutterstock extension lets you browse stock photos, videos, and music while you edit. Drag and drop watermarked files into the timeline and easily replace them later with licensed, high-resolution versions.
Connect directly to CatDV and KeyFlow Pro media asset management systems so you can browse, mark, and transfer files from within the Final Cut Pro interface.
Transcribe audio and translate the text to over 50 languages for use in subtitles and captions.
360° video. Take your work further. In every direction.
Final Cut Pro includes a complete toolset for importing, editing, and delivering both monoscopic and stereoscopic 360° video.
360° editing
Import and edit 360° equirectangular footage in Final Cut Pro. Open the 360° viewer to see a headset view of your footage, and take advantage of simple tools for changing orientation, straightening the horizon, removing camera rigs, and more.
360° graphics and effects
Easily add 2D and 3D titles to your 360° video and apply blurs, glows, and other 360° effects. Or create more advanced 360° motion graphics in Motion, then add them directly to your Final Cut Pro project. You can even add 360° video to non-360° projects, using the Tiny Planet effect to create interesting spherical looks and animations.
VR headset playback
Watch your 360° video in real time with a VR headset like the HTC Vive Pro. Choose to mirror the headset view in Final Cut Pro, or turn off mirroring to watch video in the headset while independently controlling a separate view on your monitor.
Closed captions. Open to all.
Final Cut Pro includes an intuitive, comprehensive set of tools for closed captioning in a variety of formats, without the need for expensive third-party software or services. You can create, view, and edit captions within Final Cut Pro, and deliver them as part of your video or as a separate file.
Add an existing caption file to your project and Final Cut Pro automatically connects each caption to the corresponding video or audio clip in your timeline.
Type captions from scratch — in multiple languages and formats — and watch the text play back in real time right in the viewer.
Attach captions to connected audio or video clips in the timeline so they move in sync with your edit. It’s easy to adjust text, color, location, and timing in the captions inspector. And the enhanced Timeline Index lets you quickly search and select captions, or use captions roles to instantly switch between different versions.
Export captions in the industry-standard CEA-608, iTT, or SRT formats. Or burn them directly into your video. When delivering, you can choose to embed caption metadata in your video file or create a separate sidecar file. Captioned videos can be shared directly to YouTube and Vimeo. And you can send your project to Compressor to include captions in a batch or an iTunes Store package.
Step up from iMovie to Final Cut Pro.
iMovie is the easiest way to start making movies. And when you’re ready to ramp up production, it’s effortless to switch to Final Cut Pro from iMovie for iOS or iMovie for Mac. You’ll cut faster and more precisely with advanced editing tools, improve the look of your projects with third-party plug-ins, and easily integrate video recorded with professional cameras from RED, Sony, Canon, and more. You can import your iMovie projects right into Final Cut Pro, so you won’t miss a beat — or a cut — when you upgrade.
Third-party tools to make your workflow flow.
New Mac Mini For Video Editing
Choose from thousands of custom transitions, titles, and motion graphics. Work directly with powerful applications through workflow extensions in Final Cut Pro. And take advantage of other third-party tools for advanced tracking, EDL and AAF interchange, and more.
Unleash your creative potential with the Pro Apps Bundle for qualifying college students, teachers, and education institutions. Get all five professional applications for video and music creation at a special price — including Final Cut Pro X, Motion, and Compressor, along with Logic Pro X and MainStage.